With leftfield collaborations with Slick Rick on one side and the reedy-feely Georgia Anne Muldrow on the other, The Ecstatic isn’t the concentrated wonder that is Black on Both Sides, but it’s a refreshing bounce back from the precipice of the Land of Sellout.
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Both “Auditorium” and “Revelations,” with their spaghetti western samples and interjected raspberries, sound like flat-out remixes of Madvillain’s “All Caps” the entire album careens wildly, free from the constraints of chorus and verse, like the best from Stones Throw’s back catalogue. It’s probably the fullest standalone song on the whole album, which otherwise proudly bears the trademark stamp of producer Madlib’s cinematic sound palate (solidly emulated by his younger brother Oh No). Spotify based fans of Mos are devastated to see such hits as Auditorium (feat. Killer of Sheep‘s Watts neighborhood isn’t Bed-Stuy, but Mos Def makes the leap of faith as deftly as the pictured boy, leaping from rooftop to rooftop. A couple months ago, The Ecstatic by Mos Def was removed from Spotify, likely due to label disputes involving Mos Defs home label, Rawkus Records, and the label which the album was released under, Downtown Records. mio dale owantfe amore dimmi ove coli Yangelo mio dello guancia smorte, tall mo. Set against a magisterial beat, it alone validates the borrowing of Burnett on the cover. BARNABA sotto la bokka del leone Pia sotto: La Bocca def Leone. had to flee”) are juxtaposed against a clear-eyed view of the reality that sets in harder with each passing year. deerskin dees deeside deet def deface defaced defacing defacto defamation. But despite the calculation and consumer-minded distribution model, The Ecstatic turns out to be a modest but unmistakable step back toward comparable consciousness.īefitting a return to roots, “Live in Marvelous Times” is Mos Def’s “I Wish,” a hard-edged return to Bedford-Stuyvesant circa 1982 (“the pre-crack era”) in which bittersweet memories of the pop culture that was (“My phone wasn’t touchtone, a heavy beef in the street E.T. colfax colfer colgan colgate coli colibri colic coliform coliforms colima.
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Makes sense, as Mos Def’s albums since 1999’s subtly uncompromising Black on Both Sides have steadily moved closer and closer to a digestible, off-the-rack accessibility, culminating in True Magic, which pleased no one.
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A line of T-shirts will be sold in July that not only feature the album’s cover art (a still from the Charles Burnett film Killer of Sheep), but also a coded tag which buyers can use to download their own copy of the album. Parentheses surrounding the above two symbols indicate that the word itself is ancient, but the meaning is first found in the medieval or modern period. While not quite on the same scale as Prince handing out free copies of Musicology to every concert ticketholder, Mos Def’s new album The Ecstatic will soon be made available free of charge (in a sense) to music-minded fashionistas. Such is the ragged state of the music industry that it’s almost a shock that some musicians still care enough about how many albums they sell that they forge new models of media distribution.